{"id":2539,"date":"-0001-11-30T00:00:00","date_gmt":"1970-01-01T00:00:00","guid":{"rendered":"http:\/\/wiz-art.ua\/festival\/?p=2539"},"modified":"2020-02-29T21:54:49","modified_gmt":"2020-02-29T17:54:49","slug":"independent-filmmaking-cooperation","status":"publish","type":"post","link":"https:\/\/wiz-art.ua\/festival\/old\/en\/independent-filmmaking-cooperation\/","title":{"rendered":"Independent Filmmaking Cooperation during the war time"},"content":{"rendered":"<p><strong>round table<\/strong><\/p>\n<p><em>August 5, Friday, 2 pm<strong><br \/>\n<\/strong>Lviv Art Palace<\/em><\/p>\n<p><strong><span style=\"font-weight: 400;\">War conflicts, informational wars, fights for influence. We live in time of great events and horrible, everyday tense. Culture as an transformational instrument of society and re-thinking of life vectors are important as never before. Especially cinema is probably the most \u00a0accessible transmitter of senses, which is close to us and understandable. But is co-production and cooperation possible\\necessary between independent filmmakers till the shootings in the east are over?<\/span><\/strong><\/p>\n<p><b>Andrej Annenskij, a director, a producer of the films \u201cInnocent Saturday\u201d, \u201cMy Good Hans\u201d (Russia)<\/b><\/p>\n<p><b>Kateryna Slipchenko, a film and art critic, an cultural editor of Zaxid.net (Ukraine)<\/b><\/p>\n<p><b>Philip Sotnychenko, a director of the films \u201cHug\u201d, \u201cSon\u201d (official selection of Clermont-Ferrand ISFF), \u201cNail\u201d (Ukraine)<\/b><\/p>\n<p><b>Daria Badior, a film critic, a member of FIPRESCI and the Ukrainian Oscar Committee (Ukraine)<\/b><\/p>\n<p><b>Olha Raiter, a producer, a director of Lviv ISFF Wiz-Art (Ukraine)<\/b><\/p>\n<p><b>Andrij Bondarenko, a journalist, a cultural critic (Ukraine)<\/b><\/p>\n<p><strong><b>Maria Guskova, a film director (Russia)<\/b><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>round table<\/strong><\/p>\n<p><em>August 5, Friday, 2 pm<strong><br \/>\n<\/strong>Lviv Art Palace<\/em><\/p>\n<p><strong><span style=\"font-weight: 400;\">War conflicts, informational wars, fights for influence. We live in time<\/p>\n","protected":false},"author":15,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-2539","post","type-post","status-publish","format-standard","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Independent Filmmaking Cooperation during the war time - Wiz-Art Festival<\/title>\n<meta name=\"description\" content=\"Lviv International Short Film Festival Wiz-Art \u0417 7 \u043f\u043e 13 \u0432\u0435\u0440\u0435\u0441\u043d\u044f \u0434\u0438\u0432\u0438\u0441\u044c \u043e\u043d\u043b\u0430\u0439\u043d \u0437\u0456 \u0441\u0432\u043e\u0454\u0457 \u0434\u043e\u043c\u0456\u0432\u043a\u0438 \u0430\u0431\u043e \u043e\u0444\u043b\u0430\u0439\u043d \u0443 \u041b\u044c\u0432\u043e\u0432\u0456 \u043d\u043e\u0432\u0456 \u0442\u0430 \u044f\u0441\u043a\u0440\u0430\u0432\u0456 \u043a\u043e\u0440\u043e\u0442\u043a\u043e\u043c\u0435\u0442\u0440\u0430\u0436\u043d\u0456 \u0444\u0456\u043b\u044c\u043c\u0438 \u0437 \u0423\u043a\u0440\u0430\u0457\u043d\u0438 \u0442\u0430 \u0441\u0432\u0456\u0442\u0443 \u043d\u0430 \u0444\u0435\u0441\u0442\u0438\u0432\u0430\u043b\u0456 Wiz-Art\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/wiz-art.ua\/festival\/old\/en\/independent-filmmaking-cooperation\/\" \/>\n<meta property=\"og:locale\" content=\"uk_UA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Independent Filmmaking Cooperation during the war time - 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